JLA Justice Part 1 Comic Book
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JLA Justice Part 1 Comic Book
JUSTICE PART 1 Originally published as Justice #1–6, August 2005– August 2006
They are the World’s Greatest Super-Heroes. But the fabled Justice League of America are about to learn that they aren’t the only ones who can band together toward a common goal.
The deadliest criminal masterminds appear to be acting in concert, with a surprising plan that seeks to achieve more good than the JLA ever could!
MORE FUN COMICS #73
Originally published in Nov 1941
When an unarmed ship on an errand of mercy is hit by a torpedo, help comes from an unexpected source – like a water-god of old, the hero Aquaman rises from the depths.
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JLA: JUSTICE Originally published as Justice #7–12, September 2006– July 2007
The Justice League of America face a united force of their greatest foes, who now know their secret identities and weaknesses. While the JLA fall like dominoes, the villains have offered humankind a brighter future, but one at a cost. Can the World’s Greatest Super Heroes come back from the brink to overturn the Legion of Doom’s masterplan ...and should they?
WHIZ COMICS #2 Originally published in February 1940
Having fought evil for 3,000 years, the ancient wizard Shazam sought a successor and found a willing hero in young Billy Batson. With a cry of the wizard’s name, Billy becomes the world’s mightiest mortal – Captain Marvel.
DC The New Frontier Part 1 Comic Book
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DC The New Frontier Part 1 Comic Book
New Frontier reinvasions the superheroes DC Comics launched in the late 1950s by placing them firmly in the Cold War milieu that seldom surfaced in the original stories. The results could be ponderous but aren't, thanks to author-artist Cooke, who freshly reimagines the earliest exploits of such hoary heroes as the Flash and Green Lantern, and offers compellingly unorthodox versions of some venerable superstars: he portrays Superman, for instance, as a smug government lapdog. Cooke's intelligently retro art style is perfectly suited to the task at hand. Its cartoonish simplicity, though unfashionable among today's detail-obsessed comics fans, possesses nearly matchless elegance and dynamism.
Especially effective is his reliance on rectilinear panels that convey the sweep of 1950s widescreen movies. Despite its decades-old setting, New Frontier is the most exciting recent superhero comic, and testimony to the enduring power of DC's iconic heroes. It's complex enough to captivate current comics fans yet compelling for nostalgic boomers who grew up with these characters.
This book's story will be concluded in volume 2. Gordon Flagg
Copyright © American Library Association. All rights reserved
Teen Titans The Judas Contract Comic Book
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"The Judas Contract" was a four-part storyline originally printed in issues #42-44 of Tales of the Teen Titans and concluded in the 1984 Tales of the Teen Titans Annual. The story was written and edited by Marv Wolfman and George Pérez with artwork by Pérez, Romeo Tanghal, Dick Giordano, Mike DeCarlo and Adrienne Roy. Lettering was provided by Ben Oda, Bob La, John Costanza and Todd Klein. All four issues were collected in the 1988 New Teen Titans: The Judas Contract trade paperback. Among readers, this storyline is often times cited as the pinnacle of Wolfman and Pérez' run on the title. "The Judas Contract" is the culmination of a sub-plot that began as early as New Teen Titans #2 with the introduction of the Terminator and the H.I.V.E.
Batman The Doom that Came to Gotham Comic Book
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An unholy union of a comic book icon and pure Lovecraftian horror is unleashed by writers MIKE MIGNOLA, acclaimed creator of Hellboy, RICHARD PACE (Robert E. Howard's Savage Sword) and artist TROY NIXEY (HARLEY QUINN) in this terrifying reimagining of the greatest heroes and villains in the Batman mythos.
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Superman has been called many things, from the defender of truth, justice and the American way to the Big Blue Boy Scout. In LEX LUTHOR: MAN OF STEEL, he is called something he has never been called before: a threat to all humanity. Brian Azzarello and artist Lee Bermejo—the acclaimed team who brought you the best-selling JOKER—deliver a bold story in which readers get a glimpse into the mind of Superman's longtime foe. MAN OF STEEL reveals why Luthor chooses to be the proverbial thorn in the Man of Steel's side: to save humanity from an untrustworthy alien being.
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Discover Oliver Queen's journey from reckless playboy to humble hero in this definitive Green Arrow origin tale.
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About the Author: Andy Diggle is one of the UK's leading comic-book writers, and former editor of the cult British comic 2000AD. He has been writing professionally since 2002. Diggle and artist Jock's Vertigo action thriller series THE LOSERS was adapted into a major Hollywood movie in 2010, starring Jeffrey Dean Morgan, Chris Evans, Zoe Saldana and Idris Elba. Diggle's other work for DC Comics includes GREEN ARROW: YEAR ONE, BATMAN CONFIDENTIAL, HELLBLAZER, SWAMP THING, ADAM STRANGE, SILENT DRAGON and the Vertigo Crime thriller RAT CATCHER.
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"Along with Batman and Son, Morrison is taking risks and from a creative and artistic standpoint, succeeding admirably in proving that even the oldest of comic book icons can be as fresh and interesting as the newest creator owned characters"—IGN
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Grant Morrison has been working with DC Comics for more than twenty years, beginning with his legendary runs on the revolutionary titles ANIMAL MAN and DOOM PATROL. Since then he has written numerous best-sellers — including JLA, BATMAN and New X-Men — as well as the critically acclaimed creator-owned series THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. Morrison has also expanded the borders of the DC Universe in the award-winning pages of SEVEN SOLDIERS, ALL-STAR SUPERMAN, FINAL CRISIS and BATMAN, INC., and he is currently reinventing the Man of Steel in the all-new ACTION COMICS. In his secret identity, Morrison is a “counterculture” spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times best-seller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.Superman Batman Public Enemies Comic Book
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